Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
BETH HENLEYI love writing for the screen.
More Beth Henley Quotes
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And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
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I was just restless with being in school; so I went out to Los Angeles.
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I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
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The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
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I’m very into the first production of the show.
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My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.
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I just loved being divorced from my own wretchedness.
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It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
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In movement class, you had to lie on the floor and get your alignment in to pass the class.
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Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
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That’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
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I did write a couple of original screenplays, but I’d rather write plays.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
BETH HENLEY