Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
BETH HENLEYThe impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
More Beth Henley Quotes
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I love writing for the screen.
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I’m very into the first production of the show.
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It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
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I was just restless with being in school; so I went out to Los Angeles.
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Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
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What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
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I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
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The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
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I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.
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It was kind of enlightening to become a playwright.
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That was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
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I just loved being divorced from my own wretchedness.
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But when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
BETH HENLEY