I was just restless with being in school; so I went out to Los Angeles.
BETH HENLEYIt’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
More Beth Henley Quotes
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In movement class, you had to lie on the floor and get your alignment in to pass the class.
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The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
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Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
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It was kind of enlightening to become a playwright.
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But when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
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I love writing for the screen.
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It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
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I did write a couple of original screenplays, but I’d rather write plays.
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I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
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It’s really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don’t get in trouble.
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The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
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I’m very into the first production of the show.
BETH HENLEY