The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
BETH HENLEYIn movement class, you had to lie on the floor and get your alignment in to pass the class.
More Beth Henley Quotes
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That was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
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My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.
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I just loved being divorced from my own wretchedness.
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But when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
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And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
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I love writing for the screen.
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I did write a couple of original screenplays, but I’d rather write plays.
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It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
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Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
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I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
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I’m very into the first production of the show.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
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The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
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I was just restless with being in school; so I went out to Los Angeles.
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Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
BETH HENLEY