And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
BETH HENLEYIn movement class, you had to lie on the floor and get your alignment in to pass the class.
More Beth Henley Quotes
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That’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
BETH HENLEY -
It was kind of enlightening to become a playwright.
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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I’m very into the first production of the show.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
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I just loved being divorced from my own wretchedness.
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I love writing for the screen.
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It’s really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don’t get in trouble.
BETH HENLEY -
I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
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I love to work, although sometimes I can spend whole days doing nothing more than picking the lint off the carpet and talking to my mother on the phone.
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The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
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I did write a couple of original screenplays, but I’d rather write plays.
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Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
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What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
BETH HENLEY -
Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
BETH HENLEY