In movement class, you had to lie on the floor and get your alignment in to pass the class.
BETH HENLEYI was just restless with being in school; so I went out to Los Angeles.
More Beth Henley Quotes
-
-
And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
BETH HENLEY -
I love writing for the screen.
BETH HENLEY -
I just loved being divorced from my own wretchedness.
BETH HENLEY -
Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
BETH HENLEY -
But when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
BETH HENLEY -
I did write a couple of original screenplays, but I’d rather write plays.
BETH HENLEY -
I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
BETH HENLEY -
That was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
BETH HENLEY -
But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
BETH HENLEY -
It’s really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don’t get in trouble.
BETH HENLEY -
It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
BETH HENLEY -
It was kind of enlightening to become a playwright.
BETH HENLEY -
I’m very into the first production of the show.
BETH HENLEY -
The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
BETH HENLEY -
Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
BETH HENLEY