The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
BETH HENLEYI was just restless with being in school; so I went out to Los Angeles.
More Beth Henley Quotes
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The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
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I just loved being divorced from my own wretchedness.
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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But when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
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I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
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The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
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I love to work, although sometimes I can spend whole days doing nothing more than picking the lint off the carpet and talking to my mother on the phone.
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I’m very into the first production of the show.
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Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
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I love writing for the screen.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
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It’s really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don’t get in trouble.
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That’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
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It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
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Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
BETH HENLEY