Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
BETH HENLEYPlays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
BETH HENLEYBut when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
BETH HENLEYI grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
BETH HENLEYThat was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
BETH HENLEYThat’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
BETH HENLEYI did write a couple of original screenplays, but I’d rather write plays.
BETH HENLEYBut here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
BETH HENLEYIn movement class, you had to lie on the floor and get your alignment in to pass the class.
BETH HENLEYMy first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.
BETH HENLEYAnd all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
BETH HENLEYPart of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
BETH HENLEYThere are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
BETH HENLEYIt was kind of enlightening to become a playwright.
BETH HENLEYSomehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
BETH HENLEYThe next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
BETH HENLEYThe most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
BETH HENLEY