The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
BETH HENLEYI’m very into the first production of the show.
More Beth Henley Quotes
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I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
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Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
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My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.
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Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
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It’s really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don’t get in trouble.
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It was kind of enlightening to become a playwright.
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In movement class, you had to lie on the floor and get your alignment in to pass the class.
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That was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
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It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
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Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
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And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
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I love writing for the screen.
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I did write a couple of original screenplays, but I’d rather write plays.
BETH HENLEY