The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
BETH HENLEYThat was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
More Beth Henley Quotes
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I’m very into the first production of the show.
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It was kind of enlightening to become a playwright.
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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I just loved being divorced from my own wretchedness.
BETH HENLEY -
That’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
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I was just restless with being in school; so I went out to Los Angeles.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
BETH HENLEY -
In movement class, you had to lie on the floor and get your alignment in to pass the class.
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But when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
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And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
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What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
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It’s really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don’t get in trouble.
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I love writing for the screen.
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It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
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The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
BETH HENLEY