I had this great teacher, Milton Katselas, who was this loud Greek who had directed Bette Davis and Liv Ullmann, and brought Edward Albee to this country. He said, “Why do you keep trying to be a Rolex watch when you’re the salt of the earth?” Except he said it much louder.
BETH GRANTMy agent says, “You have an audition for the next Dustin Hoffman movie, playing a pioneer woman.” And I go, “All right!” I passed Barry Levinson in the hall on the way into my audition, and I saw him do a double-take. I think I looked so determined that I got the job right then.
More Beth Grant Quotes
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As much as I love being an artist, I love being a mom even more.
BETH GRANT -
I grew up around people, so I know ’em, and I do like playin’ ’em. I’m not religious, but I am kind of a spiritual fanatic, so maybe I understand them in that way.
BETH GRANT -
Reality television, anybody can be a star at any minute.
BETH GRANT -
I love smoking. I miss it every day of my life. If I found out that it didn’t cause cancer, I would go out and buy, like, eight cartons right now.
BETH GRANT -
The Coens both give you direction, and then it’s up to you to kind of figure out the music of what they’re saying.
BETH GRANT -
I thought Sissy Hickey should be really skinny and leathery and have one of those really husky voices, but Del Shores kept saying, “I wrote this part for you.” He took me to his house and showed me pictures of all his Texas relatives, and they looked exactly like my family.
BETH GRANT -
I knew Steve Carell because of Little Miss Sunshine, so I felt very comfortable with him. Maybe he always does it to guest stars, but I felt as though he was being particularly funny with me, and particularly stretching the boundaries of improvisation.
BETH GRANT -
There are several things iconic about Sissy Hickey character – even just sounds. Like, “Awww.” People love that sound! “Awww.” I actually didn’t want to do the role, because I didn’t think I looked like a smoker – even though I used to be a smoker.
BETH GRANT -
Maybe the actors that used to turn down William Goldman’s scripts – where he wanted them to stretch and grow, and he was mad at ’em, and said, “Why won’t they be a real actor?” – maybe they just knew their audience. It’s too bad.
BETH GRANT -
There’s always that key to every character that lets you go to those places you need to go to. No matter how much you might hate the character, it makes you understand it.
BETH GRANT -
Tone is a very difficult thing. You can’t write tone, I don’t think. You can try – you certainly try. I write too, so I know I’m trying desperately to communicate to whoever’s going to direct my pieces, the way I see the humor. But it’s very difficult.
BETH GRANT -
At Rain Man, I was 38. And before that, I had really just started working when I was 36. I was very late. So I’ve got time, right? As long as I stay healthy and eat right.
BETH GRANT -
I never have compared myself to Jessica Tandy in any way, and that’s such a great role model for me to look at. I’m seriously going to put pictures of her in my dressing room and commune with her from now on, I think.
BETH GRANT -
If you just think Donnie Darkos a weird movie, you don’t want to think. You don’t want to feel your feelings. So yeah, I do want to shake ’em up.
BETH GRANT -
I never have broken up in comedy, ever. There’s something about me that I just don’t break on camera – maybe because I’m just so cheap, and I know how expensive it is to shoot – but I broke on Sordid Lives, and I broke on The Office. Those are the only two times in my life.
BETH GRANT