I’m ready to do some classics. Maybe I wasn’t in the beginning. I weighed 179 pounds when I got to New York, and I had that thick Southern accent. I still talk Southern, but I can do without it.
BETH GRANTIf you just think Donnie Darkos a weird movie, you don’t want to think. You don’t want to feel your feelings. So yeah, I do want to shake ’em up.
More Beth Grant Quotes
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Sometimes I’ll say, “When Sandy Bullock and I were doing Speed – the movie, not the drug.” Just in case someone’s listening.
BETH GRANT -
Tone is a very difficult thing. You can’t write tone, I don’t think. You can try – you certainly try. I write too, so I know I’m trying desperately to communicate to whoever’s going to direct my pieces, the way I see the humor. But it’s very difficult.
BETH GRANT -
The Coens both give you direction, and then it’s up to you to kind of figure out the music of what they’re saying.
BETH GRANT -
I knew Steve Carell because of Little Miss Sunshine, so I felt very comfortable with him. Maybe he always does it to guest stars, but I felt as though he was being particularly funny with me, and particularly stretching the boundaries of improvisation.
BETH GRANT -
He’s such a comic genius. I hate to use that word, because everyone throws it around, but Steve Carell is channeling something.
BETH GRANT -
Maybe the actors that used to turn down William Goldman’s scripts – where he wanted them to stretch and grow, and he was mad at ’em, and said, “Why won’t they be a real actor?” – maybe they just knew their audience. It’s too bad.
BETH GRANT -
I thought Sissy Hickey should be really skinny and leathery and have one of those really husky voices, but Del Shores kept saying, “I wrote this part for you.” He took me to his house and showed me pictures of all his Texas relatives, and they looked exactly like my family.
BETH GRANT -
I’d much rather insult people and make ’em angry. Donnie Darko’s very controversial. Not all of my friends like it. Honestly, it’s almost become a test for me. If somebody says they don’t like Donnie Darko, I think, “Oh, I don’t know you as well as I thought I did.”
BETH GRANT -
I grew up around people, so I know ’em, and I do like playin’ ’em. I’m not religious, but I am kind of a spiritual fanatic, so maybe I understand them in that way.
BETH GRANT -
I never have compared myself to Jessica Tandy in any way, and that’s such a great role model for me to look at. I’m seriously going to put pictures of her in my dressing room and commune with her from now on, I think.
BETH GRANT -
There’s always that key to every character that lets you go to those places you need to go to. No matter how much you might hate the character, it makes you understand it.
BETH GRANT -
I’ve died so many times in so many movies. What is it about my face that people want to kill it? I’m sure they would’ve killed Kitty Farmer if they could’ve!
BETH GRANT -
I had this great teacher, Milton Katselas, who was this loud Greek who had directed Bette Davis and Liv Ullmann, and brought Edward Albee to this country. He said, “Why do you keep trying to be a Rolex watch when you’re the salt of the earth?” Except he said it much louder.
BETH GRANT -
I love smoking. I miss it every day of my life. If I found out that it didn’t cause cancer, I would go out and buy, like, eight cartons right now.
BETH GRANT -
Jessica Tandy. Nice company! And Ruth Gordon. They worked all along. She didn’t really get any big star recognition until Driving Miss Daisy. So what if it takes me that long? Slow and steady wins the race, right? Better a tortoise than a hare.
BETH GRANT