Maybe the actors that used to turn down William Goldman’s scripts – where he wanted them to stretch and grow, and he was mad at ’em, and said, “Why won’t they be a real actor?” – maybe they just knew their audience. It’s too bad.
BETH GRANTThe Coens both give you direction, and then it’s up to you to kind of figure out the music of what they’re saying.
More Beth Grant Quotes
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I never have broken up in comedy, ever. There’s something about me that I just don’t break on camera – maybe because I’m just so cheap, and I know how expensive it is to shoot – but I broke on Sordid Lives, and I broke on The Office. Those are the only two times in my life.
BETH GRANT -
Sometimes I’ll say, “When Sandy Bullock and I were doing Speed – the movie, not the drug.” Just in case someone’s listening.
BETH GRANT -
I never have compared myself to Jessica Tandy in any way, and that’s such a great role model for me to look at. I’m seriously going to put pictures of her in my dressing room and commune with her from now on, I think.
BETH GRANT -
There’s always that key to every character that lets you go to those places you need to go to. No matter how much you might hate the character, it makes you understand it.
BETH GRANT -
Jessica Tandy. Nice company! And Ruth Gordon. They worked all along. She didn’t really get any big star recognition until Driving Miss Daisy. So what if it takes me that long? Slow and steady wins the race, right? Better a tortoise than a hare.
BETH GRANT -
He’s such a comic genius. I hate to use that word, because everyone throws it around, but Steve Carell is channeling something.
BETH GRANT -
I’m ready to do some classics. Maybe I wasn’t in the beginning. I weighed 179 pounds when I got to New York, and I had that thick Southern accent. I still talk Southern, but I can do without it.
BETH GRANT -
The Coens both give you direction, and then it’s up to you to kind of figure out the music of what they’re saying.
BETH GRANT -
I thought Sissy Hickey should be really skinny and leathery and have one of those really husky voices, but Del Shores kept saying, “I wrote this part for you.” He took me to his house and showed me pictures of all his Texas relatives, and they looked exactly like my family.
BETH GRANT -
I was so frustrated with my whole life that I walked up this hilltop and screamed at the heavens. It was very dramatic – but then again, I am an actress – and I said, “Fine! I’ll be a character actress! Just tell me what you want me to do!” I was so angry at the universe.
BETH GRANT -
I love smoking. I miss it every day of my life. If I found out that it didn’t cause cancer, I would go out and buy, like, eight cartons right now.
BETH GRANT -
My agent says, “You have an audition for the next Dustin Hoffman movie, playing a pioneer woman.” And I go, “All right!” I passed Barry Levinson in the hall on the way into my audition, and I saw him do a double-take. I think I looked so determined that I got the job right then.
BETH GRANT -
If you just think Donnie Darkos a weird movie, you don’t want to think. You don’t want to feel your feelings. So yeah, I do want to shake ’em up.
BETH GRANT -
I had a very hard time accepting myself as a character actress, because I wanted to be glamorous and a leading lady like everybody else. I looked in the mirror and thought I looked pretty good, but casting didn’t ever see me that way.
BETH GRANT -
Tone is a very difficult thing. You can’t write tone, I don’t think. You can try – you certainly try. I write too, so I know I’m trying desperately to communicate to whoever’s going to direct my pieces, the way I see the humor. But it’s very difficult.
BETH GRANT