I knew Steve Carell because of Little Miss Sunshine, so I felt very comfortable with him. Maybe he always does it to guest stars, but I felt as though he was being particularly funny with me, and particularly stretching the boundaries of improvisation.
BETH GRANTI had a very hard time accepting myself as a character actress, because I wanted to be glamorous and a leading lady like everybody else. I looked in the mirror and thought I looked pretty good, but casting didn’t ever see me that way.
More Beth Grant Quotes
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He’s such a comic genius. I hate to use that word, because everyone throws it around, but Steve Carell is channeling something.
BETH GRANT -
I had a very hard time accepting myself as a character actress, because I wanted to be glamorous and a leading lady like everybody else. I looked in the mirror and thought I looked pretty good, but casting didn’t ever see me that way.
BETH GRANT -
Sometimes I’ll say, “When Sandy Bullock and I were doing Speed – the movie, not the drug.” Just in case someone’s listening.
BETH GRANT -
My agent says, “You have an audition for the next Dustin Hoffman movie, playing a pioneer woman.” And I go, “All right!” I passed Barry Levinson in the hall on the way into my audition, and I saw him do a double-take. I think I looked so determined that I got the job right then.
BETH GRANT -
The Coens both give you direction, and then it’s up to you to kind of figure out the music of what they’re saying.
BETH GRANT -
Jessica Tandy. Nice company! And Ruth Gordon. They worked all along. She didn’t really get any big star recognition until Driving Miss Daisy. So what if it takes me that long? Slow and steady wins the race, right? Better a tortoise than a hare.
BETH GRANT -
At Rain Man, I was 38. And before that, I had really just started working when I was 36. I was very late. So I’ve got time, right? As long as I stay healthy and eat right.
BETH GRANT -
I built a career on my archetype, and I’m grateful, but I’m trying to stretch.
BETH GRANT -
Tone is a very difficult thing. You can’t write tone, I don’t think. You can try – you certainly try. I write too, so I know I’m trying desperately to communicate to whoever’s going to direct my pieces, the way I see the humor. But it’s very difficult.
BETH GRANT -
I grew up around people, so I know ’em, and I do like playin’ ’em. I’m not religious, but I am kind of a spiritual fanatic, so maybe I understand them in that way.
BETH GRANT -
I had this great teacher, Milton Katselas, who was this loud Greek who had directed Bette Davis and Liv Ullmann, and brought Edward Albee to this country. He said, “Why do you keep trying to be a Rolex watch when you’re the salt of the earth?” Except he said it much louder.
BETH GRANT -
I’ve died so many times in so many movies. What is it about my face that people want to kill it? I’m sure they would’ve killed Kitty Farmer if they could’ve!
BETH GRANT -
As much as I love being an artist, I love being a mom even more.
BETH GRANT -
I thought Sissy Hickey should be really skinny and leathery and have one of those really husky voices, but Del Shores kept saying, “I wrote this part for you.” He took me to his house and showed me pictures of all his Texas relatives, and they looked exactly like my family.
BETH GRANT -
If you just think Donnie Darkos a weird movie, you don’t want to think. You don’t want to feel your feelings. So yeah, I do want to shake ’em up.
BETH GRANT