At Rain Man, I was 38. And before that, I had really just started working when I was 36. I was very late. So I’ve got time, right? As long as I stay healthy and eat right.
BETH GRANTReality television, anybody can be a star at any minute.
More Beth Grant Quotes
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Sometimes I’ll say, “When Sandy Bullock and I were doing Speed – the movie, not the drug.” Just in case someone’s listening.
BETH GRANT -
I’ve died so many times in so many movies. What is it about my face that people want to kill it? I’m sure they would’ve killed Kitty Farmer if they could’ve!
BETH GRANT -
I never have compared myself to Jessica Tandy in any way, and that’s such a great role model for me to look at. I’m seriously going to put pictures of her in my dressing room and commune with her from now on, I think.
BETH GRANT -
My agent says, “You have an audition for the next Dustin Hoffman movie, playing a pioneer woman.” And I go, “All right!” I passed Barry Levinson in the hall on the way into my audition, and I saw him do a double-take. I think I looked so determined that I got the job right then.
BETH GRANT -
There are several things iconic about Sissy Hickey character – even just sounds. Like, “Awww.” People love that sound! “Awww.” I actually didn’t want to do the role, because I didn’t think I looked like a smoker – even though I used to be a smoker.
BETH GRANT -
I never have broken up in comedy, ever. There’s something about me that I just don’t break on camera – maybe because I’m just so cheap, and I know how expensive it is to shoot – but I broke on Sordid Lives, and I broke on The Office. Those are the only two times in my life.
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The Coens both give you direction, and then it’s up to you to kind of figure out the music of what they’re saying.
BETH GRANT -
He’s such a comic genius. I hate to use that word, because everyone throws it around, but Steve Carell is channeling something.
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I had this great teacher, Milton Katselas, who was this loud Greek who had directed Bette Davis and Liv Ullmann, and brought Edward Albee to this country. He said, “Why do you keep trying to be a Rolex watch when you’re the salt of the earth?” Except he said it much louder.
BETH GRANT -
Tone is a very difficult thing. You can’t write tone, I don’t think. You can try – you certainly try. I write too, so I know I’m trying desperately to communicate to whoever’s going to direct my pieces, the way I see the humor. But it’s very difficult.
BETH GRANT -
If you just think Donnie Darkos a weird movie, you don’t want to think. You don’t want to feel your feelings. So yeah, I do want to shake ’em up.
BETH GRANT -
As much as I love being an artist, I love being a mom even more.
BETH GRANT -
I was so frustrated with my whole life that I walked up this hilltop and screamed at the heavens. It was very dramatic – but then again, I am an actress – and I said, “Fine! I’ll be a character actress! Just tell me what you want me to do!” I was so angry at the universe.
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I grew up around people, so I know ’em, and I do like playin’ ’em. I’m not religious, but I am kind of a spiritual fanatic, so maybe I understand them in that way.
BETH GRANT -
Jessica Tandy. Nice company! And Ruth Gordon. They worked all along. She didn’t really get any big star recognition until Driving Miss Daisy. So what if it takes me that long? Slow and steady wins the race, right? Better a tortoise than a hare.
BETH GRANT