The alienation effect in German epic theater is achieved not only through the actors, but also through music (chorus and song) andsets (transparencies, film strips, etc.). Its main purpose is to place the staged events in their historical context.
Firebugs dragging their gasoline bottles are approaching the Academy of Arts, with a grin. And so, instead of embracing them, let us demand the freedom of the elbow to knock the bottles out of their filthy hands.
Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.
The mobilization order is already written out. Every day, to earn my daily bread I go to the market where lies are bought Hopefully I take up my place among the sellers.
Of all the works of man I like best Those which have been used. The copper pots with their dents and flattened edges The knives and forks whose wooden handles Have been worn away by many hands: such forms Seemed to me the noblest.
Young Alexander conquered India. He alone? Caesar beat the Gauls. Was there not even a cook in his army? Philip of Spain wept as his fleet was sunk and destroyed. Were there no other tears? Frederick the Great triumphed in the Seven Years War. Who Triumphed with him?
