Firebugs dragging their gasoline bottles are approaching the Academy of Arts, with a grin. And so, instead of embracing them, let us demand the freedom of the elbow to knock the bottles out of their filthy hands.
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
Reality changes; in order to represent it, modes of representation must also change. Nothing comes from nothing; the new comes from the old, but that is why it is new.
