“I remained a fan. But what happens when you’re so involved is you start spending all your time based on the music that you’re involved with, you just don’t have as much time.”

I had promised myself when I first got started that if I got to the point my life where I started feeling ‘Gee, I’d rather be at home than at work’, and that started happening more often than not, that it would be time to leave.

I’d wake up some days and go “Oh, I don’t even know if I want to go face this anymore”. I would, I would go do it, I’m a dutiful kind of person and not afraid of work.

Now that I’m afraid was institutionalized, and the great thing about the Canadian content regulations is that it broke that open.

It’s amazing how much of that music I still listen to actually. I was such a fan of music, even after I got started professionally

And then all of a sudden that starts disappearing from the book, and just about everything I’m talking about from that point on are the records that I’m totally involved in.

I took that opinion to the wall, often in public, often had to… I often had to fight in public with the very same people who I was trying to convince to play my records!

I noticed when I was writing the book that I would tend to mention ‘outside’ songs right through to about the middle of the 70’s.

I couldn’t believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I’m involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there’s no question about that.

The female sex has no greater fan than I, and I have the bills to prove it.

We seem to be keeping old fans and are bringing on new fans that are teenagers. I think that is amazing.

And lacked ambition to take Tottenham to where the fans wanted them to be.

I’m not a fan of Twitter.

Agent Mom is a perfect opportunity for me to do what I love… develop characters, act and take incredible stories to my fans.

If youre a singer, you do concerts, and you get that interaction with fans and see what cities in what part of the world come out to see you.

Not any specific one, but I was a huge fan of Frank Jacobs, I guess he wrote the plurality of the song parodies for MAD, Sam Hart, a few others, but that was also where I was first exposed to the art form of song parodies.

I’m a music fan, and I can listen to the radio, or music, without thinking, “How am I going to screw this up?” [Laughs] If I’m really actively trying to think of a parody, then I’ll have my antenna out, and be a little more proactive about it.