The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall in Washington so American tourists could walk through America, and in their minds everything on the mall would be American
BERNICE JOHNSON REAGONI was at the Smithsonian for twenty years, and I’m still at the Smithsonian as a curator emeritus, and I still plan to figure out what that means for me at this point in my life
More Bernice Johnson Reagon Quotes
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When I started graduate school I was interested in the culture of the Civil Rights Movement.
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If we dwell in a community that is comfortable, then it’s probably not broad enough a coalition.
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If every moment is sacred and if you are amazed and in awe most of the time when you find yourself breathing and not crazy, then you are in a state of constant thankfulness, worship and humility.
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The Civil Rights Movement also reaffirmed me as a singer. It taught me that singing was not entertainment, it was something else.
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Welcome to prekindergarten! You will not die if you discover that there are more lines out there than just your own. In fact, you’ll discover that you will have an advantage if you know more of them!
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Life’s challenges are not supposed to paralyze you, they’re supposed to help you discover who you are.
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And I used to think that proof that I had religion was whether I knew how to sing all of the songs.
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If you’re in a coalition and you’re comfortable, you know it’s not a broad enough coalition.
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At the same time all this was happening, there was a folk song revival movement goingon, so the commercial music industry was actually changed by the Civil Rights Movement.
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If I had been at a University I don’t think I would have been able to have the experience I had in my Smithsonian work. I don’t think I have been as successful
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I think the Civil Rights Movement changed that trajectory for me. The first thing I did was leave school. I was suspended for my participation in Movement demonstrations in my hometown, December, 1961
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Today whenever women gather together it is not necessarily nurturing. It is coalition building. And if you feel the strain, you may be doing some good work.
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I started graduate school in 1971, I started working at the Smithsonian in the festival in 1972. I went full-time at the Smithsonian in 1974. And I got my doctorate in 1975.
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Personally I discovered that you could go through the academy as a young scholar, come out, and almost immediately have an impact on the academic environment.
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In fact when Sweet Honey was ten years old it was too big for me to run, and I knew it, but I ran it for another thirteen years because I couldn’t convince other people to really do it. And this year, I’m not running it.
BERNICE JOHNSON REAGON