Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
BERNARDO BERTOLUCCII was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
More Bernardo Bertolucci Quotes
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
BERNARDO BERTOLUCCI -
I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
BERNARDO BERTOLUCCI -
I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
BERNARDO BERTOLUCCI -
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
BERNARDO BERTOLUCCI -
You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
BERNARDO BERTOLUCCI -
If New York is the Big Apple, tonight Hollywood is the Big Nipple.
BERNARDO BERTOLUCCI -
If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
BERNARDO BERTOLUCCI -
What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
BERNARDO BERTOLUCCI -
There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
BERNARDO BERTOLUCCI -
English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
BERNARDO BERTOLUCCI -
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
BERNARDO BERTOLUCCI -
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
BERNARDO BERTOLUCCI -
I left the ending ambiguous, because that is the way life is.
BERNARDO BERTOLUCCI -
I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
BERNARDO BERTOLUCCI -
The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
BERNARDO BERTOLUCCI