I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
BERNARDO BERTOLUCCIYou know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
More Bernardo Bertolucci Quotes
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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I’m no longer interested in making political films. There’s something old-fashioned about them.
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Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
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A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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You live day by day. You can’t build your life.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
BERNARDO BERTOLUCCI








