“When evening quickens in the street, comes a pause in the day’s occupation that is known as the cocktail hour. It marks the lifeward turn.”

One may lack words to express the impact of beauty but no one who has felt it remains untouched. It is renewal, enlargement, intensification.

This is the violet hour, the hour of hush and wonder, when the affectations glow and valor is reborn, when the shadows deepen along the edge of the forest and we believe that, if we watch carefully, at any moment we may see the unicorn.

Sure the people are stupid: the human race is stupid. Sure Congress is an inefficient instrument of government. But the people are not stupid enough to abandon representative government for any other kind, including government by the guy who knows.

You can no more keep a Martini in the refrigerator than you can keep a kiss there.

The water of life was given to us to make us see for a while that we are more nearly men and women, more nearly kind and gentle and generous, pleasanter and stronger than without its vision there is any evidence we are.

The trouble with the sacred Individual is that he has no significance, except as he can acquire it from others, from the social whole.

The dawn of knowledge is usually the false dawn.

A novelist has mad a fictional representation of life. I doing so, he has revealed to us more significance, it may be, than he could find in life itself.

The heart wakens from coma and its dyspnea ends. Its strengthening pulse is to cross over into campground, to believe that the world has not been altogether lost or, if lost, then not altogether in vain.

The skillful man is, within the function of his skill, a different psychological organization. . . . A tennis player or a watchmaker or an airplane pilot is an automatism but he is also criticism and wisdom.

The parks preserve it permanently in the inheritance of the American citizens.

The trouble with Reason is that it becomes meaningless at the exact point where it refuses to act.

New England is a finished place. Its destiny is that of Florence or Venice, not Milan while the American empire careens onward toward its unpredicted end. . . .

The rat stops gnawing in the wood, the dungeon walls withdraw, the weight is lifted your pulse steadies and the sun has found your heart, the day was not bad, the season has not been bad, there is sense and even promise in going on.

Art is man determined to die sane.

It is the first American section to be finished to achieve stability in the conditions of its life. It is the first old civilization, the first permanent civilization in America.