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The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they’re acting. Here (in Hollywood), you can see everybody wants his break.

Berenice Bejo

As an actor, you think you have to go really far and deep and cry and yell to be good in a scene. Sometimes that’s not the point.
BERENICE BEJO

Actors Sometimes Thinking
Of course, when you work on a character, you try to understand her. You feel that everything she does has a reason.
BERENICE BEJO

Character Doe Trying
My parents were not pushy or anything like that. I think my mom was still expecting me to be an astronaut, but now she is very happy that I’m not doing that.
BERENICE BEJO

Mom Parent Thinking
I read Gloria Swanson’s autobiography just because I wanted to know what it was like in the time.
BERENICE BEJO

Autobiography Gloria Wanted
I really enjoyed being Peppy Miller. She was an amazing character and her energy followed me everywhere. When I talk about her I want to be her again.
BERENICE BEJO

Character Energy Want
Maybe I’ll put my iPod in two minutes before. But truly, I’ve listened to actors say that they loved to listen to music before a shot, and I really understand that now because it puts you in the mood and gives you energy.
BERENICE BEJO

Giving Ipods Two
The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they’re acting. Here (in Hollywood), you can see everybody wants his break.
BERENICE BEJO

Acting Book Differences
I feel very honored and special really. You can’t imagine, to arrive at the Oscars when you arrive so low, and you can’t go further than the Oscars.
BERENICE BEJO

Imagine Oscars Special
In France, it’s always about life, normal life. We always stick with these realistic things. So when French people are dreaming about American movies, they go and see the thrillers, and Westerns, and science fiction, huge entertaining movies.
BERENICE BEJO

Dream Fiction People
For us, as actors, and even for the director, it gave us a sense of authenticity to what we were doing because we were talking about Hollywood and we were in Hollywood.
BERENICE BEJO

Directors Hollywood Talking
A character is never entirely white or black, there’s never entirely right or wrong. You have to realize sometimes you face something, and then you change your mind, or then you realize you were wrong.
BERENICE BEJO

Black Character White
I tried to find a character and how I would be an American actress in the 30s. But if this was a talking movie [The Artist], I’m sure she would be exactly the same for me.
BERENICE BEJO

Artist Character Talking
I’m okay. Nobody’s bothering me. Everyone’s very kind, and very polite. I don’t feel like my whole life changed.
BERENICE BEJO

Changed Changing Kind Life
Ever since the movie premiered at Cannes, I’ve had a sudden surge of scripts and interest.
BERENICE BEJO

Cannes Interest Scripts
I guess I’m the perfect young lead actress. I’m not Chloe Sevigny – I’m not really a character actress. Some actors have “character” faces.
BERENICE BEJO

Character Chloe Perfect
Here, you go to the supermarket and you have wipes to clean your hands before shopping. No, we don’t have that in France, but we recycle.
BERENICE BEJO

Hands Shopping Wipe

The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they’re acting. Here (in Hollywood), you can see everybody wants his break.

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The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they’re acting. Here (in Hollywood), you can see everybody wants his break.

Related Topics

Popular Authors

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