Of course, when you work on a character, you try to understand her. You feel that everything she does has a reason.
BERENICE BEJOI read Gloria Swanson’s autobiography just because I wanted to know what it was like in the time.
More Berenice Bejo Quotes
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Here, you go to the supermarket and you have wipes to clean your hands before shopping. No, we don’t have that in France, but we recycle.
BERENICE BEJO -
I really enjoyed being Peppy Miller. She was an amazing character and her energy followed me everywhere. When I talk about her I want to be her again.
BERENICE BEJO -
As an actor, you think you have to go really far and deep and cry and yell to be good in a scene. Sometimes that’s not the point.
BERENICE BEJO -
A character is never entirely white or black, there’s never entirely right or wrong. You have to realize sometimes you face something, and then you change your mind, or then you realize you were wrong.
BERENICE BEJO -
In France, it’s always about life, normal life. We always stick with these realistic things. So when French people are dreaming about American movies, they go and see the thrillers, and Westerns, and science fiction, huge entertaining movies.
BERENICE BEJO -
Maybe I’ll put my iPod in two minutes before. But truly, I’ve listened to actors say that they loved to listen to music before a shot, and I really understand that now because it puts you in the mood and gives you energy.
BERENICE BEJO -
I’m okay. Nobody’s bothering me. Everyone’s very kind, and very polite. I don’t feel like my whole life changed.
BERENICE BEJO -
My parents were not pushy or anything like that. I think my mom was still expecting me to be an astronaut, but now she is very happy that I’m not doing that.
BERENICE BEJO -
Right now I’m the most famous silent movie actress in the world and I want to keep that for me. So I hope there’s not going to be any other silent movies.
BERENICE BEJO -
Marlene Dietrich for the way there was something so unique about her – the way she entered into a frame and everybody looks at her and the way she winks and looks up.
BERENICE BEJO -
Ever since the movie premiered at Cannes, I’ve had a sudden surge of scripts and interest.
BERENICE BEJO -
For us, as actors, and even for the director, it gave us a sense of authenticity to what we were doing because we were talking about Hollywood and we were in Hollywood.
BERENICE BEJO -
Even in the very beginning when she would bump into George Valentine and people would start taking pictures of her, she never thought “I’m with George Valentine. I need to get a picture with him.” She’s like “oh that’s funny. Everyone’s taking pictures!”
BERENICE BEJO -
The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they’re acting. Here (in Hollywood), you can see everybody wants his break.
BERENICE BEJO -
I tried to find a character and how I would be an American actress in the 30s. But if this was a talking movie [The Artist], I’m sure she would be exactly the same for me.
BERENICE BEJO