Even in the very beginning when she would bump into George Valentine and people would start taking pictures of her, she never thought “I’m with George Valentine. I need to get a picture with him.” She’s like “oh that’s funny. Everyone’s taking pictures!”
BERENICE BEJOI tried to find a character and how I would be an American actress in the 30s. But if this was a talking movie [The Artist], I’m sure she would be exactly the same for me.
More Berenice Bejo Quotes
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I really enjoyed being Peppy Miller. She was an amazing character and her energy followed me everywhere. When I talk about her I want to be her again.
BERENICE BEJO -
Marlene Dietrich for the way there was something so unique about her – the way she entered into a frame and everybody looks at her and the way she winks and looks up.
BERENICE BEJO -
Of course, when you work on a character, you try to understand her. You feel that everything she does has a reason.
BERENICE BEJO -
Sometimes we had to improvise. I hate to improvise because I felt like I couldn’t find words.
BERENICE BEJO -
The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they’re acting. Here (in Hollywood), you can see everybody wants his break.
BERENICE BEJO -
I tried to find a character and how I would be an American actress in the 30s. But if this was a talking movie [The Artist], I’m sure she would be exactly the same for me.
BERENICE BEJO -
For us, as actors, and even for the director, it gave us a sense of authenticity to what we were doing because we were talking about Hollywood and we were in Hollywood.
BERENICE BEJO -
I spent hours on the internet looking at how glamorous actresses winked and how they would put their hand on their waist, and I was told to look at how they would walk in a room and how her body takes place of everything.
BERENICE BEJO -
I’m okay. Nobody’s bothering me. Everyone’s very kind, and very polite. I don’t feel like my whole life changed.
BERENICE BEJO -
A character is never entirely white or black, there’s never entirely right or wrong. You have to realize sometimes you face something, and then you change your mind, or then you realize you were wrong.
BERENICE BEJO -
I read Gloria Swanson’s autobiography just because I wanted to know what it was like in the time.
BERENICE BEJO -
Right now I’m the most famous silent movie actress in the world and I want to keep that for me. So I hope there’s not going to be any other silent movies.
BERENICE BEJO -
I guess I’m the perfect young lead actress. I’m not Chloe Sevigny – I’m not really a character actress. Some actors have “character” faces.
BERENICE BEJO -
As an actor, you think you have to go really far and deep and cry and yell to be good in a scene. Sometimes that’s not the point.
BERENICE BEJO -
Ever since the movie premiered at Cannes, I’ve had a sudden surge of scripts and interest.
BERENICE BEJO