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The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.

Berenice Abbott

I think the important decision for a photographer is to choose a subject that intensely interests him or her.
BERENICE ABBOTT

Decision Important Photography Thinking
Photography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art.
BERENICE ABBOTT

Art Photography Qualified Years
The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
BERENICE ABBOTT

Photography Space Vision
Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTT

Reality Responsibility Today
Photography can only represent the present. Once photographed, the subject becomes part of the past.
BERENICE ABBOTT

Past Photographer Photography
I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
BERENICE ABBOTT

Art Bowery Girl Nice Photography
Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.
BERENICE ABBOTT

Drawing Light Photography
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT

Cameras Talking Themselves Way
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT

Mean Philosophy Photography
If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
BERENICE ABBOTT

Lenses Photography Quality Use
I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT

Agree Certainty Document Photographer
There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
BERENICE ABBOTT

Inspirational Photography Ruin Teacher
Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
BERENICE ABBOTT

Exercise Photography Simple
I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
BERENICE ABBOTT

Alive Fighting Lasts Photography
The photograph may be presented as finely and artistically as you will; but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT

May Merit Photography World
Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
BERENICE ABBOTT

Documents Good Photographer Probe Subject Uncover

The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.

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The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.

Related Topics

Popular Authors

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