I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.
BERENICE ABBOTTNone. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
More Berenice Abbott Quotes
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What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
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I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.
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The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
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The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
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It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.
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To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
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Photography doesn’t teach you to express your emotions; it teaches you how to see.
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There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
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Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.
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Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today.
BERENICE ABBOTT -
The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
BERENICE ABBOTT -
I think the important decision for a photographer is to choose a subject that intensely interests him or her.
BERENICE ABBOTT -
You scientists are the worst photographers in the world and you need the best photographers in the world and I’m the one to do it.
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Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
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I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
BERENICE ABBOTT