There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
BERENICE ABBOTTI think the important decision for a photographer is to choose a subject that intensely interests him or her.
More Berenice Abbott Quotes
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I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT -
Suppose we took a thousand negatives… combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.
BERENICE ABBOTT -
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT -
Does not the very word ‘creative’ mean to build, to initiate, to give out, to act – rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life – not death.
BERENICE ABBOTT -
Photography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art.
BERENICE ABBOTT -
Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTT -
Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
BERENICE ABBOTT -
Photography doesn’t teach you to express your emotions; it teaches you how to see.
BERENICE ABBOTT -
Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.
BERENICE ABBOTT -
The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT -
I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
BERENICE ABBOTT -
The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT -
Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today.
BERENICE ABBOTT -
Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times – the pulse of today.
BERENICE ABBOTT -
The photograph may be presented as finely and artistically as you will; but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT








