“Sadly, as a songwriter you sooner or later finish developing your musical understanding.”

I really liked Beyond The Valley Of The Dolls and a couple of others, but with these kinds of movies the best part is the ‘talking about it over a beer afterwards’ bit – and once is kind of enough.

We’ve gotten better at shooting down routine material or stuff we feel like we’ve done better in the past. Getting different people in the band for periods also keeps it from going stale.

Where Snah [Hans Magnus Ryan] is a melody and texture man, I am more of a riff, rhythm and concept guy. I am much better than him in certain fields, and he surely wipes the floor with me in others, and we both know it’s like that.

Generally there are always a few things that get left off for some reason or other, although the criteria for inclusion vary from project to project.

I always have problems with seeing how our new stuff relates to our old stuff – I’m better at seeing long lines in other people’s music than in my own.

A lot of ideas get re-used and made part of new songs if the first version didn’t cut the mustard, and the stuff that gets left off usually contained the germ of something good but failed to reach a satisfactory state by the recording stage.

I think this insatiable need to get to know new music is a big part of why it has lasted so long.

We sometimes feel like hamsters on a wheel, covering the same musical ground we did 20 or more years ago.

When you’ve been at it for as long as we have, you go through fallow periods and blooming ones, and you know when you’re on a roll and you learn how to keep it rolling for as long as you can.

We’ve known each other [in Motorpsycho ] since 1985 or ’86, are really different as personalities, and yet have actually never disagreed to any degree. We are really complimentary as musicians and songwriters too, and come from two total opposites in our approaches.

We went from being thought of and talked about as “a band that plays a so-and-so style of music” (a grunge band, a stoner band, etc) to “a band that plays music with a certain sensibility or style to it”. I’m not able to see quite what that is, but it’s there and some people like it a lot.

It was also incredibly serendipitous that I would later learn I shared a birthday with Whoop [Goldberg ].

Though I developed my own personal spiritual relationship later in life, the foundation they laid is what my faith was built upon.

I had praying grandmothers who bathed me in “The Word” and filled the atmosphere with worship.

I always want people to be confused, to be shocked or realize something later.

It seems the best work I do is when I am really allowing the unconscious to rule the page and then later I can go back and hack around and make sense of things.

Many kids, it seemed, would find out that their parents were flawed, messed-up people later in life, and I didn’t appreciate getting to know it all so strong and early.

Eventually it will fade, and there are those who will do whatever it takes to make that happen sooner rather than later.

I think that I work hard to make my music as a diary for new generations who find out about it years later.