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If you call attention to yourself at the expense of the song, that’s the cardinal sin.

Benmont Tench

I try to find little things that you can do to move the song along and things that serve the song.
BENMONT TENCH

Moving Song Trying
Sometimes you work with somebody you’ve never heard of because you just feel like working.
BENMONT TENCH

Feels Heard Sometimes
I loved Mal Evans holding one note down on You Won’t See Me from Rubber Soul.
BENMONT TENCH

Holding On Rubber Soul
Jeff Lynne is an arranger, and I think it’s probably much easier for him to go ahead and play a part himself than to try to show somebody else what he wants. But it’s hard for me to say; I barely know Jeff.
BENMONT TENCH

Playing Thinking Trying
I think I drift toward sad love songs.
BENMONT TENCH

Sad Love Song Thinking
I’m playing 10 feet from Mike Campbell every night. I look across the stage, there’s Howie. Tom’s in the middle and we’re playing all this stuff I love. It’s great.
BENMONT TENCH

Feet Love Night
You can go crazy and play solos in the right place, and that’s great because it can intensify and bring an emotional lift. But the thing is you don’t want to get in the way of the song.
BENMONT TENCH

Crazy Emotional Song
Working with Waylon Jennings and Willie Nelson takes you up another level.
BENMONT TENCH

Another Level Nelson
I got to play on a couple of records with the Rolling Stones, and that was really special to me.
BENMONT TENCH

Couple Play Special
Fortunately, as we all know, it’s impossible for anybody but Jimmy Smith to really sound like Jimmy Smith.
BENMONT TENCH

Impossible Knows Sound
I loved working with Bob Dylan.
BENMONT TENCH

Bob Dylan Work
We started with Denny Cordell, and he was a great record producer. He knew exactly how to take a band that knew absolutely nothing, and guide you without trying to tell you what to do.
BENMONT TENCH

Band Records Trying
If you call attention to yourself at the expense of the song, that’s the cardinal sin.
BENMONT TENCH

Attention Sin Song
I think we’ve always been better live.
BENMONT TENCH

Always Better Live Thinking

If you call attention to yourself at the expense of the song, that’s the cardinal sin.

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If you call attention to yourself at the expense of the song, that’s the cardinal sin.

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