Independence used to be the ticket for liberty. But today, security and freedom, whether it’s in the Arab Spring, whether it’s in Iraq or whether it’s right here in the United States, means working cooperatively and interdependently with others.
Toxins don’t stop for customs inspections and microbes don’t carry passports. North America became a water and free-trade zone long before NAFTA loosened up the market in goods.
Civility is a work of the imagination, for it is through the imagination that we render others sufficiently like ourselves for them to become subjects of tolerance and respect, if not always affection.
When it comes to acid rain or oil spills or depleted fisheries or tainted groundwater or fluorocarbon propellants or radiation leaks or sexually transmitted diseases, national frontiers are simple irrelevant.
I s symbols are Harley-Davidson motorcycles and Cadillac motorcars hoisted from the roadways, where they once represented a mode of transportation, to the marquees of global market cafés like Harley-Davidson’s and the Hard Rock where they become icons of lifestyle.
I divide the word into learners and nonlearners. There are people who learn, who are open to what happens around them, who listen, who hear the lessons.
The real lesson of 9/11 that I think we have still to learn is that this is a world of interdependence, in which all of the challenges of environment and climate change, of jobs, of disease, of war and terrorism, are cross-border problems that cannot be met one nation at a time.
Where once the student was taught that the unexamined life was not worth living, he is now taught that the profitably lived life is not worth examining.
When they do something stupid, they don’t do it again. And when they do something that works a little bit, they do it even better and harder the next time.
McWorld is a product of popular culture driven by expansionist commerce. Its template is American, its form style. Its goods are as much images as matériel, an aesthetic as well as a product line. It is about culture as commodity, apparel as ideology.
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