As an actor, you are aware of how a role can seep into your real life.
BENEDICT CUMBERBATCHThis is an odd profession, and sometimes people get jealous, but I haven’t really experienced any of that. Everyone’s been really happy for me, which is really, really great.
More Benedict Cumberbatch Quotes
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One of the best things about being an actor is that it’s a meritocracy.
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Pull the hair on my head the wrong way, and I would be on my knees begging for mercy. I have very sensitive follicles.
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Live a life less ordinary.
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This is an odd profession, and sometimes people get jealous, but I haven’t really experienced any of that. Everyone’s been really happy for me, which is really, really great.
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I got live tweeted once by someone who was opposite my home in some rented accommodation. He was actually describing on twitter what I was doing. ‘I took a shirt off, I went to the window, I put a shirt back on… ‘ And I’ve got blinds in my flat!
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There’s a heroic amount of effort that goes into making him [Doctor Strange] a superhero by the end of the film.
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Looking for happiness is a sure way to sadness, I think. You have to take each moment as it comes.
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It’s very easy to be cynical about any kind of interference in things that are beyond our skill set.
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I never really got obsessed about one thing for long. I was a bit of a butterfly and a magpie.
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I am shortsighted. I need glasses for watching movies or concerts. It’s not a hipster affectation; I do have poor eyesight. This is how ridiculous my life is: I’ve had the test for contact lenses, but I haven’t found a half-day where I can go to the optician.
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The armoury of having any academic education does not necessarily set you up for being a good or better actor.
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The number of people my age, younger now, a whole generation younger, who are fiercely bright, over-educated, under-employed and who are politicised and purposeless really upsets me. It’s soul-destroying.
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I struggle to learn by rote. I’ve had meltdowns on set. Which is embarrassing and shameful.
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I remember very clearly someone saying, ‘Don’t shake hands with the cactus,’ and I thought, ‘Well, why not? What could possibly go wrong?’ Shaking hands is a friendly gesture.
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For brain surgeons it’s particularly difficult to deal with failure. It was fascinating to learn about that whole world.
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The biggest lesson Stephen Strange learns in this film is it’s not all about him.
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Scott Derrickson breathes humour into a character with a very strong identity in the ’60s and ’70s, that psychedelia era of Eastern mysticism meeting the West.
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I’m not very geeky. I’m quite homespun. I would say I’m more modern rustic than gadget-orientated. I like woollen things and log fires and whiskey
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I don’t want to miss things.
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I tend to have a cup of tea, try to stop worrying about what I did wrong, cool down and will the audience back in as soon as possible.
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Even in cerebral roles that are seemingly intelligent and nothing else, I think it’s so important to wrap your characterization in a physical form as well.
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I was very keen to work on the script with Scott Derrickson and [C. Robert] Cargill, and working out the important story beats, changing lines, upping the comedy, changing the pace, all of that was great fun.
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If you can’t fail, you can never get better.
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I have pitfalls. I have emotional responses to things that are really not about me. They’re about other people.
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Fame is a weird one. You need to distance yourself from it. People see a value in you that you don’t see yourself.
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Even the cerebral characters I play seem to have physical quirks. They’re all “physically inhabited,” for lack off a better expression. For instance, Sherlock Holmes has very particular physical gestures which are drawn out in such detail.
BENEDICT CUMBERBATCH