It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
BEN SHAHNIt may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
BEN SHAHNNow, my knowledge of photography was terribly limited.
BEN SHAHNIt may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.
BEN SHAHNI confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
BEN SHAHNThe moving toward one’s inner self is a long pilgrimage for a painter. It offers many temporary successes and high points, but impels him on toward the more adequate image.
BEN SHAHNAll art is based on non-conformity.
BEN SHAHNContent may by trivial. But I do not think that any person may pronounce either upon the weight or upon the triviality of an idea before its execution.
BEN SHAHNOnly an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
BEN SHAHNIf you’re going to be an artist, all life is your subject. And all your experience is part of your art.
BEN SHAHNA work of art rests its merits in traditional qualities. It may constitute a remarkable feat in craftsmanship; it may be a searching study of psychological states; it may be a nostalgic glance backward.
BEN SHAHNOf course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know.
BEN SHAHNIt is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
BEN SHAHNI believe that if it were left to artists to choose their own labels, most would choose none.
BEN SHAHNThe time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
BEN SHAHNHow do you paint yellow wheat against a yellow sky? You paint it jet black.
BEN SHAHNPersonal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
BEN SHAHN