The time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
BEN SHAHNThe time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
More Ben Shahn Quotes
-
-
Now, my knowledge of photography was terribly limited.
BEN SHAHN -
I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
BEN SHAHN -
I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
BEN SHAHN -
An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
BEN SHAHN -
To abstract is to draw out the essence of a matter. To abstract in art is to separate certain fundamentals from irrelevant material which surrounds them.
BEN SHAHN -
I became interested in photography when I was sharing a studio with Walker Evans, and found my own sketching was inadequate.
BEN SHAHN -
If one has set for himself the position that his painting shall not misconstrue his personal mode of thinking, then he must be rather alert to just what he does think.
BEN SHAHN -
Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
BEN SHAHN -
Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
BEN SHAHN -
The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
BEN SHAHN -
Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
BEN SHAHN -
The popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.
BEN SHAHN -
It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
BEN SHAHN -
Form is the shape of content.
BEN SHAHN -
Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
BEN SHAHN