I became interested in photography when I was sharing a studio with Walker Evans, and found my own sketching was inadequate.
BEN SHAHNThe time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
More Ben Shahn Quotes
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Form is the shape of content.
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I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
BEN SHAHN -
The time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
BEN SHAHN -
I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
BEN SHAHN -
The moving toward one’s inner self is a long pilgrimage for a painter. It offers many temporary successes and high points, but impels him on toward the more adequate image.
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To abstract is to draw out the essence of a matter. To abstract in art is to separate certain fundamentals from irrelevant material which surrounds them.
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Being an artist is not only what you do, but how you live your life.
BEN SHAHN -
When you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
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What is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
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The artist is likely to be looked upon with some uneasiness by the more conservative members of society.
BEN SHAHN -
It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
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It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
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If one has set for himself the position that his painting shall not misconstrue his personal mode of thinking, then he must be rather alert to just what he does think.
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It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.
BEN SHAHN