It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
BEN SHAHNThe natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.
More Ben Shahn Quotes
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Content may by trivial. But I do not think that any person may pronounce either upon the weight or upon the triviality of an idea before its execution.
BEN SHAHN -
Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know.
BEN SHAHN -
It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
BEN SHAHN -
The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
BEN SHAHN -
Being an artist is not only what you do, but how you live your life.
BEN SHAHN -
Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
BEN SHAHN -
Art almost always has its ingredient of impudence, its flouting of established authority, so that it may substitute its own authority and its own enlightenment.
BEN SHAHN -
Every great historic change has been based on nonconformity, has been bought either with the blood or with the reputation of nonconformists.
BEN SHAHN -
The values that reside in art are anarchic, they are every man’s loves and hates and his momentary divine revelation.
BEN SHAHN -
Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
BEN SHAHN -
The natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.
BEN SHAHN -
I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
BEN SHAHN -
What is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
BEN SHAHN -
When you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
BEN SHAHN -
I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
BEN SHAHN







