I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
BEN SHAHNI’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
More Ben Shahn Quotes
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It is the mission of art to remind man from time to time that he is human, and the time is ripe, just now, today, for such a reminder.
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Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
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It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
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We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
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Content may by trivial. But I do not think that any person may pronounce either upon the weight or upon the triviality of an idea before its execution.
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A youngster told me recently that he was going to give himself a year to see if he has talent. A year! It takes a lifetime to see if you have it. Painting is total engagement.
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I believe that if it were left to artists to choose their own labels, most would choose none.
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Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
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Form is the shape of content.
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I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
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The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
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I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
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Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
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Forms in art arise from the impact of idea upon material… so that thinking and belief and attitudes may endure as actual things.
BEN SHAHN