All art is based on non-conformity.
BEN SHAHNThe popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.
More Ben Shahn Quotes
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Paint what you are, paint what you believe, paint what you feel.
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I believe that if it were left to artists to choose their own labels, most would choose none.
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It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
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I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
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The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
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Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
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A work of art rests its merits in traditional qualities. It may constitute a remarkable feat in craftsmanship; it may be a searching study of psychological states; it may be a nostalgic glance backward.
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I became interested in photography when I was sharing a studio with Walker Evans, and found my own sketching was inadequate.
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
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Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
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It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.
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Content may by trivial. But I do not think that any person may pronounce either upon the weight or upon the triviality of an idea before its execution.
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To abstract is to draw out the essence of a matter.
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The time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
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It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
BEN SHAHN