I work a lot in the summers. My family goes to Maine, where we have a little house. My wife’s a writer, too, and we can write for six hours a day and then play with the kids.
BEN MARCUSSpelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth.
More Ben Marcus Quotes
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I’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
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Without sound, celebration and grief look nearly the same.
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A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it.
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RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
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Eventually you stop paying attention to your own feelings when there’s nothing to be done about them.
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You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
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The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
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Judaism to me, as badly as I practiced it, what I’ve always loved about it was its total embrace of complexity, its admission of unknowability.
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In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
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My parents showed me by example that they could balance their work and family lives.
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To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.
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Spelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth.
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I’m interested in the hope we invest in science, and the disappointment we can feel when science flattens, or ‘explains,’ the larger mysteries of religion.
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Fiction is too complicated and too elusive to break down into a set of tricks.
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My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
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