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Judaism to me, as badly as I practiced it, what I’ve always loved about it was its total embrace of complexity, its admission of unknowability.

Ben Marcus

A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it.
BEN MARCUS

Body Self Sometimes
Fiction is too complicated and too elusive to break down into a set of tricks.
BEN MARCUS

Breaking Complicated Down Fiction
Without sound, celebration and grief look nearly the same.
BEN MARCUS

Grief Looks Sound
Suspense left my life a long time ago, now it has returned. I do not care for it.
BEN MARCUS

Care Long Suspense
The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
BEN MARCUS

Believe Dash Establish Indifference Language Love Wise
You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
BEN MARCUS

Consequences Detect Terrible Test
Spelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth.
BEN MARCUS

Mouth Safe Technology
My parents showed me by example that they could balance their work and family lives.
BEN MARCUS

Balance Example Parent
A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
BEN MARCUS

Desperate Failing Language
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
BEN MARCUS

Emotional Level Writing
I like big doses of grief when I read: Richard Yates, Flannery O’Connor, Kenzabaro Oe, Thomas Bernhard.
BEN MARCUS

Bigs Dose Grief
In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
BEN MARCUS

Care Fiction Space
To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.
BEN MARCUS

Circles Misunderstood People
It’s lonely to listen to the pleasure of others, not that I’ve made a habit of that kind of eavesdropping. There’s joy and passion in the next room, in the next bed, but it’s not yours.
BEN MARCUS

Joy Lonely Passion
The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
BEN MARCUS

Hands Thinking Worry
My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
BEN MARCUS

Age Book Review Wire

Judaism to me, as badly as I practiced it, what I’ve always loved about it was its total embrace of complexity, its admission of unknowability.

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Judaism to me, as badly as I practiced it, what I’ve always loved about it was its total embrace of complexity, its admission of unknowability.

Related Topics

Popular Authors

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