Mostly we’re motivated to control ourselves in public. Mostly. At home the motivation is much less clear. At home there’s a bit of a lab for bad behavior.
BEN MARCUSEventually you stop paying attention to your own feelings when there’s nothing to be done about them.
More Ben Marcus Quotes
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My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
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Suspense left my life a long time ago, now it has returned. I do not care for it.
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In certain strains of Judaism, there’s a profound passion for the ineffable. Contemplation of God is meant to be forever elusive, because, you know, our tiny minds can’t possibly comprehend Him. If we find ourselves comprehending Him, then we can be sure we’re off track.
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It’s lonely to listen to the pleasure of others, not that I’ve made a habit of that kind of eavesdropping. There’s joy and passion in the next room, in the next bed, but it’s not yours.
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Eventually you stop paying attention to your own feelings when there’s nothing to be done about them.
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Fiction is too complicated and too elusive to break down into a set of tricks.
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I love the way dates in a text make us think that truth will follow.
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The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
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You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
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Without sound, celebration and grief look nearly the same.
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Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
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A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
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Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
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RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
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I’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
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