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The scare quotes burn off like fog.

Ben Lerner

Maggie Nelson cuts through our culture’s prefabricated structures of thought and feeling with an intelligence whose ferocity is ultimately in the service of love. No piety is safe, no orthodoxy, no easy irony. The scare quotes burn off like fog.
BEN LERNER

Cutting Feelings Fog
I’ll work my way from irony to sincerity in the sinking city, a would-be Whitman of the vulnerable grid.
BEN LERNER

City Grid Sincerity
I like to think – knowing that it’s an enabling fiction – of those moments as fragments from a world to come, a world where price isn’t the only measure of value.
BEN LERNER

Fiction Knowing Thinking
I came to realize that far more important to me than any plot or conventional sense was the sheer directionality I felt while reading prose, the texture of time as it passed, life’s white machine.
BEN LERNER

Important Reading White
I don’t think “I’m going to publish this as fiction” but I think “I’m going to tell this story to a friend” and then I start telling the story in my mind as the experience transpires as a way of pretending it’s already happened.
BEN LERNER

Fiction Mind Thinking
Anyway I read more contemporary poetry than contemporary fiction so my mind goes first to a kind of crass “conceptualism” that repeats vanguard gestures of the past minus the politics and historical context.
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Contemporary Fiction Historical Past
I think the parable is a peculiar way of saying that redemption is immanent whether or not it’s imminent, that the world to come is in a sense always already here, if still unavailable. I find this idea powerful for several reasons. For one thing, it’s an antidote to despair.
BEN LERNER

Ideas Powerful Thinking
The story and the poem are obviously changed by being placed in the novel, so in a sense they’re no longer the works that preceded the novel.
BEN LERNER

Changed Novel Stories
I was a violent, bipolar, compulsive liar. I was a real American.
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Bipolar Liars Real
Experiments with the “as if” of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.
BEN LERNER

Criticism Fiction Writing
I usually see the word “metafiction” applied to works that draw attention to their own devices, their own artificiality, in order to mock novelistic convention and show the impossibility of capturing a reality external to the text or whatever.
BEN LERNER

Attention Order Reality
I’m trying to be somebody on whom the experience is lost by supplanting it with its telling. I definitely do that in medical contexts, even in trivial ones.
BEN LERNER

Lost Medical Trying
I don’t think it’s always a sign of respect for persons (inside or outside of fiction) to pretend to be able to represent, to have access to, their multi-dimensionality at every moment. That doesn’t imply people aren’t multi-dimensional.
BEN LERNER

Fiction People Thinking
My concern is how we live fictions, how fictions have real effects, become facts in that sense, and how our experience of the world changes depending on its arrangement into one narrative or another.
BEN LERNER

Fiction Real World
Most of us start from that position of irony now and what I wanted to do – really felt like I had to do if I was going to write another novel – was move towards something like sincerity.
BEN LERNER

Irony Moving Writing
I think the anti-intellectualism of a lot of contemporary fiction is a kind of despairing of literature’s ability to be anything more than perfectly bound blog posts or transcribed sitcoms.
BEN LERNER

Contemporary Fiction Literature Thinking

The scare quotes burn off like fog.

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The scare quotes burn off like fog.

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