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I wasn’t aware I’d write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering.

Ben Lerner

I’ve been building a fiction in part around the Marfa poem since my brief residency there, which has kept it from receding into the past.
BEN LERNER

Building Fiction Past
I didn’t want to write another book about fraudulence.
BEN LERNER

Book Want Writing
I’m defending fiction as a human capacity more than as a popular or dying literary genre.
BEN LERNER

Dying Fiction Genre Literary
I’ll work my way from irony to sincerity in the sinking city, a would-be Whitman of the vulnerable grid.
BEN LERNER

City Grid Sincerity
Few real people appear in my two novels, actually. “Ari” appears on the edge of this book a couple of times – but on the edge, she’s never in it, even if she’s a determining force from the outside. Everybody in the first book was basically made up, if never from scratch.
BEN LERNER

Book Couple Real
Experiments with the “as if” of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.
BEN LERNER

Criticism Fiction Writing
Anyway I read more contemporary poetry than contemporary fiction so my mind goes first to a kind of crass “conceptualism” that repeats vanguard gestures of the past minus the politics and historical context.
BEN LERNER

Contemporary Fiction Historical Past
Maybe that’s the way I’m private – I respect the privacy of “my” characters? Anyway, we’re getting close to the whole “relatability” and “likability” thing.
BEN LERNER

Character Privacy Way
If I was a poet, I had become one because poetry, more intensely than any other practice, could not evade its anachronism and marginality and so constituted a kind of acknowledgment of my own preposterousness, admitting my bad faith in good faith, so to speak.
BEN LERNER

Admitting Kind Practice
Are there are fireflies on the West Coast? I never saw any when I lived in California.
BEN LERNER

Country Firefly West Coast
I think the parable is a peculiar way of saying that redemption is immanent whether or not it’s imminent, that the world to come is in a sense always already here, if still unavailable. I find this idea powerful for several reasons. For one thing, it’s an antidote to despair.
BEN LERNER

Ideas Powerful Thinking
When the narrator feels like an octopus, when he says his limbs are starting to multiply, he means he has inklings of orders of perception beyond his individual body.
BEN LERNER

Mean Octopus Order
Maybe now if you’re not an exhibitionist you’re private. Or maybe it’s just that for a lot of people – sometimes in interesting ways, sometimes in stupid ways – there’s no division between the art object and what surrounds it.
BEN LERNER

Art People Stupid
I don’t think “I’m going to publish this as fiction” but I think “I’m going to tell this story to a friend” and then I start telling the story in my mind as the experience transpires as a way of pretending it’s already happened.
BEN LERNER

Fiction Mind Thinking
I was a violent, bipolar, compulsive liar. I was a real American.
BEN LERNER

Bipolar Liars Real
The scare quotes burn off like fog.
BEN LERNER

Burn Fog Quote Scare

I wasn’t aware I’d write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering.

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I wasn’t aware I’d write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering.

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Popular Authors

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