I don’t think it’s always a sign of respect for persons (inside or outside of fiction) to pretend to be able to represent, to have access to, their multi-dimensionality at every moment. That doesn’t imply people aren’t multi-dimensional.
BEN LERNERExperiments with the “as if” of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.
More Ben Lerner Quotes
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I’m defending fiction as a human capacity more than as a popular or dying literary genre.
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I didn’t want to write another book about fraudulence.
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Every relationship can feel saturated by market logic or at best purchased at the price of the immiseration of others.
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Just in case God isn’t dead, our astronauts carry sidearms.
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Anyway I read more contemporary poetry than contemporary fiction so my mind goes first to a kind of crass “conceptualism” that repeats vanguard gestures of the past minus the politics and historical context.
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Shaving is a way to start the workday by ritually not cutting your throat when you’ve the chance.
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I remember I had this recurring dream that we were playing a night game and instead of eye black we had mashed up the glowing bodies of fireflies and put that under our eyes. So our faces were glowing – a kind of night vision.
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Many of the left thinkers that really matter to me – that formed a big part of my thinking about politics and art – emphasize how capitalism is a totality, how there’s no escape from it, no outside.
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I was a violent, bipolar, compulsive liar. I was a real American.
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Maybe that’s the way I’m private – I respect the privacy of “my” characters? Anyway, we’re getting close to the whole “relatability” and “likability” thing.
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I think the parable is a peculiar way of saying that redemption is immanent whether or not it’s imminent, that the world to come is in a sense always already here, if still unavailable. I find this idea powerful for several reasons. For one thing, it’s an antidote to despair.
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Art has to offer something other than stylized despair.
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Henry James claim that if you want to be a novelist you should be somebody on whom nothing is lost.
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Experiments with the “as if” of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.
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When the narrator feels like an octopus, when he says his limbs are starting to multiply, he means he has inklings of orders of perception beyond his individual body.
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