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Experiments with the “as if” of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.

Ben Lerner

Anyway I read more contemporary poetry than contemporary fiction so my mind goes first to a kind of crass “conceptualism” that repeats vanguard gestures of the past minus the politics and historical context.
BEN LERNER

Contemporary Fiction Historical Past
The story and the poem are obviously changed by being placed in the novel, so in a sense they’re no longer the works that preceded the novel.
BEN LERNER

Changed Novel Stories
The problem is that if you’re self-conscious about being a person on whom nothing is lost, isn’t something lost – some kind of presence? You’re distracted by trying to be totally, perfectly impressionable.
BEN LERNER

Kind Self Trying
Many of the left thinkers that really matter to me – that formed a big part of my thinking about politics and art – emphasize how capitalism is a totality, how there’s no escape from it, no outside.
BEN LERNER

Art Matter Thinking
I usually see the word “metafiction” applied to works that draw attention to their own devices, their own artificiality, in order to mock novelistic convention and show the impossibility of capturing a reality external to the text or whatever.
BEN LERNER

Attention Order Reality
Art has to offer something other than stylized despair.
BEN LERNER

Art Despair Offers
The transpersonal is more awe-inspiring, more exciting than the thing we confuse it for.
BEN LERNER

Awe Exciting Inspiring
Shaving is a way to start the workday by ritually not cutting your throat when you’ve the chance.
BEN LERNER

Cutting Shaving Way
I guess when I’m frightened or in pain or maybe very bored I’ve tried to hold myself together by imposing a narrative order on the experience as it happens.
BEN LERNER

Bored Order Pain
Maybe now if you’re not an exhibitionist you’re private. Or maybe it’s just that for a lot of people – sometimes in interesting ways, sometimes in stupid ways – there’s no division between the art object and what surrounds it.
BEN LERNER

Art People Stupid
If I was a poet, I had become one because poetry, more intensely than any other practice, could not evade its anachronism and marginality and so constituted a kind of acknowledgment of my own preposterousness, admitting my bad faith in good faith, so to speak.
BEN LERNER

Admitting Kind Practice
I’ve been building a fiction in part around the Marfa poem since my brief residency there, which has kept it from receding into the past.
BEN LERNER

Building Fiction Past
I don’t think “I’m going to publish this as fiction” but I think “I’m going to tell this story to a friend” and then I start telling the story in my mind as the experience transpires as a way of pretending it’s already happened.
BEN LERNER

Fiction Mind Thinking
I’m trying to be somebody on whom the experience is lost by supplanting it with its telling. I definitely do that in medical contexts, even in trivial ones.
BEN LERNER

Lost Medical Trying
Henry James claim that if you want to be a novelist you should be somebody on whom nothing is lost.
BEN LERNER

Lost Novelist Want
I think the anti-intellectualism of a lot of contemporary fiction is a kind of despairing of literature’s ability to be anything more than perfectly bound blog posts or transcribed sitcoms.
BEN LERNER

Contemporary Fiction Literature Thinking

Experiments with the “as if” of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.

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Experiments with the “as if” of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.

Related Topics

Popular Authors

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