There’s a cinematic quality that happens in my mind when I hear something that really lands. An album is just a journal of a life moving through time.
BEN GIBBARDI’d like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack.
More Ben Gibbard Quotes
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I’ve covered Avril Lavigne. I like good pop songs, and I don’t think there should be any kind of preconceptions about where good pop songs come from.
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The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums.
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At this point in my life, I find myself obsessed with alternate paths I could’ve taken. I don’t think about this with a sense of regret, but with a sense of wonder.
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I’m a war of head versus heart, it’s always this way. My head is weak, my heart always speaks, before I know what it will say.
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Now that we have the resources, we’re like, “Oh wow, a nice studio is pretty nice! They do have nice outboards here. It’s actually a pretty good place.” It’s funny how much changes so quickly.
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If there is one thing I think I have accomplished, it’s that I always thought of myself as a very literal songwriter, and as I look at some of those older records.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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We always idealize the past because we don’t feel the painful stuff the way we used to.
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Anything was better than going to work. All those early tours before we made any money were more like vacations. I don’t think it was until 2001 that we pulled our heads out of the sand and were like, “What are we doing?”
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I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.
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We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
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I’d like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack.
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We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.
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There were a lot of fences and walls existing in my life, literally and figuratively, and that was really not indicative of the kind of person that I’d always been. So, when I moved back to Seattle, the first thing I said was, “I will never live in fear again.”
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We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.
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