At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.
BEN FOUNTAINI have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile?
More Ben Fountain Quotes
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If a person wants to be of any use to himself, he better insist on getting his fair share of beauty and pleasure, and if there’s something about the system that’s keeping him from getting his share, then I think he’s well within his rights to fight to change that.
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There was no such thing as perfection in this world, only moments of such extreme transparency that you forgot yourself, a holy mercy if there ever was one.
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I think if you spend much time dwelling on influence you can get self-conscious about every line you write. That’s a great way to freeze up.
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The funny thing is, about the time I let go of any aspiration toward worldly success, that’s about the time I started writing decent work.
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Haiti is unique – the first successful slave revolt in history, the first black republic etc., and then when you get into the culture, the voodoo, and that wonderful synchretization of Christian and African belief and symbology, it’s like nothing the world has ever seen.
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I really had to decide why I was writing. I had no interest in going back to law; I very briefly – for about six hours – considered going to get my MBA, but in the end, I realized that the only work I really wanted to do was write.
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I kept going back while I was writing the novel – which never sold, may it rest in peace – and by the time it was finished I had too many connections to Haiti to walk away.
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By the end of the first decade of writing, I considered myself a confirmed failure in the eyes of the world.
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The Kessler Theater is one such gem, an Art Deco beauty … for a slice of real life, there’s always the Kessler.
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Somewhere along the way America became a giant mall with a country attached.
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I got brilliant stories from people who’d never set foot in an MFA program and had published very little, and terrible stories from people who’d published a lot and had all the credentials. It was all over the map and that was part of the fun.
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I started publishing stories in small magazines early on, but after seven or eight or nine years you feel like you need a little more than that to show for your efforts.
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Maybe the light’s at the other end of the tunnel.
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If you want to write, then write; if you don’t want to write, then don’t write. I fell into the former category, and I just made the decision that I’d keep on because I liked it and might someday do something decent.
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If you could figure out how to live with family then you’d gone a long way toward finding your peace.
BEN FOUNTAIN