I don’t care what studio I’m in, I don’t care what producers is producing it and I don’t care what song it is because they taught me those things I feel so protected wherever I go as far as music.
BEN E. KINGThere was no, there was no in between. And when I got to New York all the other musics that’s in the world just came into my head whether it was the classics, jazz, I never knew what jazz was about all, had heard anything about jazz.
More Ben E. King Quotes
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I still perform it in all my shows. I’ll do it as long as I’m breathing. I’m so proud it has stood the test of time.
BEN E. KING -
You take a chance to do something and you realize in your heart it’s either going to be the greatest thing that ever happened or the worst thing that ever happened. It won’t be an in between, I almost made a hit. It will be an instant flop or an instant success.
BEN E. KING -
When I got involved with The Five Crowns who later became The Drifters, and we got this hit record, I still was looking at this as kind of a fun thing.
BEN E. KING -
Of course, the kids who had never heard of a person called Ben E. King were then aware of the name associated with the song. That gave a tremendous lift to me as an artist.
BEN E. KING -
I always felt I never chose music, it chose me.
BEN E. KING -
There was no, there was no in between. And when I got to New York all the other musics that’s in the world just came into my head whether it was the classics, jazz, I never knew what jazz was about all, had heard anything about jazz.
BEN E. KING -
It’s a different thing when you go into a studio and you record with the intent of going somewhere and you’re marketing yourself for that direction.
BEN E. KING -
If you just concentrate on what you’re doing and allow yourself to actually enjoy and let your feelings come out, whatever the tempos, whatever the rhythms, whatever the songs, 9 out of 10 times it will work.
BEN E. KING -
If the sky that we look upon should tumble and fall. Or the mountain should crumble to the sea. I won’t cry, no I won’t shed a tear, just as long as you stand by me.
BEN E. KING -
In New York, I was excited about the music in New York because the only music that I was more or less involved with in the South was either country and western or hillbilly music as we used to call it when I was a kid and, ah, gospel.
BEN E. KING -
Those things don’t happen today. I feel sorry for the kids in the industry today. They have on sunglasses, eat caviar in jet planes, but they’ll never know the true feeling that we did.
BEN E. KING -
The industry now wants to be in charge of everything.
BEN E. KING -
The Phil Spector that I would meet has always been a nice, quiet, little guy who’s very serious about his work; obviously you can tell that because each and everything he’s ever done has always been charted.
BEN E. KING -
It never dawned on me at any particular time of my life that people are paid tremendous money to sing.
BEN E. KING -
Yeah. I’m amateurish. I can play enough to write a song, or strum on a little guitar to write out a song. But, I don’t play well at all. I wouldn’t even attempt for a second to play in public.
BEN E. KING