How about the more than 1 billion Muslim people in the U.S, who aren’t fanatical, who don’t punch women, who just want to go to school, have some sandwiches, and pray five times a day?
You’re basically the sum of all the experiences you’ve ever had, and they’re sort of shaken up in you and reproduced in the things you create, and that includes seeing movies.
My professional success is really important to me, and my career is really important to me. It’s the most important thing to me outside of my family. I take it very seriously and work really, really hard at it. Family comes first, but this is something that’s really important to me too.
I really think that everybody would like to be an actor. Why wouldn’t they? It’s great work if you can get it. The one thing that prevents most people from saying, ‘I’m just gonna go to Hollywood!’ is that it seems unrealistic.
There is currency to celebrity, or celebrity is a currency. You can spend it in a lot of ways, or you can squander it. You can be taxed, as well. I really started thinking long and hard about how to use that currency as long as I had it.
I’ve finally learnt how to say, ‘No comment’. To appear in the tabloids is a real learning curve and a steep one at that. You had better learn quick or you get burnt.
Memories, all those little experiences make up the fabric of our lives and on balance, I wouldn’t want to erase any of them, tempting though it may be.
When you hire great actors, you’re lucky, so you just try to create an atmosphere where they can succeed and relax and take risks. You’re happy that you get to watch them at the monitor and that your name is on the director’s chair.
It wasn’t my childhood fantasy to work with Truffaut or be in obscure films. I like Midnight Run better than I like The Bicycle Thief. It was films like Die Hard and Bladerunner that made me want to be an actor.
I don’t go back and look at the monitor between every take; I wait until I feel like we finally got it right: “Let me stop and look at that last one on the monitor.”
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