You’re basically the sum of all the experiences you’ve ever had, and they’re sort of shaken up in you and reproduced in the things you create, and that includes seeing movies.
BEN AFFLECKIts not who you love. Its how.
More Ben Affleck Quotes
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No matter what you’re doing, if you’re trying to make a movie, you need to be working with people that are really good and who make you better.
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I’m much more interested in what an actor has to say about something substantial and important than who they’re dating or what clothes they’re wearing or some other asinine, insignificant aspect of their life.
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I have a good instinct for what’s real and what’s not. I don’t have to second-guess myself.
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Sometimes the people we meet change us forever.
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The trap for an actor is that you become too successful at what you’re trying to do, and you can find yourself stuck there.
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I hate the whole reluctant sex-symbol thing. It’s such bull. You see these dudes greased up, in their underwear, talking about how they don’t want to be a sex symbol.
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Sometimes I get insecure about being a real director because I look at the great directors, and they have such command. But maybe that keeps me critical of myself. Maybe it keeps me moving forward.
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I like the incongruity of how in Iran, these people we think of as being revolutionaries or fanatics or whatever are just as aware of Luke Skywalker and Darth Vader as our people are back home.
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There is currency to celebrity, or celebrity is a currency. You can spend it in a lot of ways, or you can squander it. You can be taxed, as well. I really started thinking long and hard about how to use that currency as long as I had it.
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Just because a lot of people know something nominal doesn’t make it important. A lot of people know what a pencil sharpener is, but that doesn’t make it the most important invention of the 20th century.
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I try to cast really good actors and give them a chance to do their very best work, give them as much time and space as they need.
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A lot of my shows in the past have been more theatrical than others, but you really get the bug for it when you direct on stage.
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I don’t go back and look at the monitor between every take; I wait until I feel like we finally got it right: “Let me stop and look at that last one on the monitor.”
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Such a senseless and tragic day. My family and I send our love to our beloved and resilient Boston.
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I remember back when I was a kid there was a comic strip called Plastic Man. His body was elastic and he could make his extremities as long as he wanted. As a youngster I didn’t fully appreciate. But I’m now thinking Plastic Man was probably pretty popular with the ladies.
BEN AFFLECK