Documentary is, therefore, an approach, which makes use of the artistic faculties to give vivification to fact – to use Walt Whitman’s definition of the place of poetry in the modern world.
The fundamental belief in the authenticity of photographs explains why photographs of people no longer living and of vanished architecture are so melancholy.
The leavening of aesthetic approaches continues. While it is too soon to define the characteristic of the photographic style today, one common denominator, rooted in tradition, seems in the ascendancy.
Over the years, photography has been to me what a journal is to a writer – a record of things seen and experienced, moments in the flow of time, documents of significance to me, experiments in seeing.
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