“If I switch showrunners and I get to stay on the show, I approach it like it’s their show, and I’m here to write their music for them.”

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

I think the thing that music can do is be unsettling. It is abnormal – music that’s perceived to be different in an unresolved or unusual way.

With television you are producing hours and hours of music and for film it is a shorter experience for both the audience and for you as a composer.

The showrunner relationship in television is what the director relationship in film, there’s really no more important relationship.

I’m not a good enough musician to like completely master something in a couple of days and turn it around.

What I love more than anything is Jerry Goldsmith’s 80’s music and Bernard Herrmann’s genre music from the 50’s and 60’s.

I have been very fortunate in that I’m not doing all network shows or all cable shows, television has really become a year-round process in the way that it’s made.

While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.

If I were doing five cop shows, I’d probably start struggling to find an identity for each one and struggling to find inspirations.

Sometimes I find bringing in my old ideas is just detrimental.

When you change showrunners, it’s like getting divorced and getting remarried.

I always like to think I build in historically accurate musical in-jokes that are so precise that like maybe there’s 7 or 8 people in the world watching the show that will sit up and go, “Oh my God the music being played is the right kind of music!”

I’ve always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

One doesn’t do existential therapy as a freestanding separate theory; rather it informs your approach to such issues as death, which many therapists tend to shy away from.

I approach everyday personal beauty very naturally; I try to make it look like I’m not wearing makeup.

The book of Acts is the best aid in approaching our work. We do not find there anyone consecrating himself as a preacher nor anyone deciding to do the Lord’s work by making himself a missionary or a pastor. What we do see is the Holy Spirit Himself appointing and sending men out to do the work.

The Ego is partly free. partly determined, and reaches fuller freedom by approaching the Individual who is most free: God.

Once it gets down to single-digit games, you know the season’s end is approaching, and we’re all pretty physically tired.

I’m going to change the way martial arts is viewed. I’m going to change the game. I’m going to change the way people approach fighting.

It is very difficult to find appropriate words to say ‘thank you’ for an honour like the Nobel Prize.

I realized that my usual approach is usually critical. That is, a lot of the things that I do, that most people do, are because they hate something somebody else has done, or they hate that something hasn’t been done.