The lamp you lighted in the olden time Will show you my heart’s-blood beating through the rhyme: A poet’s journal, writ in fire and tears… Then slow deliverance, with the gaps of years.
Voluptuous bloom and fragrance rare The summer to its rose may bring; Far sweeter to the wooing air The hidden violet of spring. Still, still that lovely ghost appears, Too fair, too pure, to bid depart; No riper love of later years Can steal its beauty from the heart.
The aquilegia sprinkled on the rocks A scarlet rain; the yellow violet Sat in the chariot of its leaves, the phlox Held spikes of purple flame in meadows wet, And all the streams with vernal-scented reed Were fringed, and streaky bellow of miskodeed.
Wrapped in his sad-colored cloak, the Day, like a Puritan, standeth Stern in the joyless fields, rebuking the lingering color,– Dying hectic of leaves and the chilly blue of the asters,– Hearing, perchance, the croak of a crow on the desolate tree-top.
Departed suns their trails of splendor drew Across departed summers: whispers came From voices, long ago resolved again Into the primeval Silence, and we twain, Ghosts of our present selves, yet still the same, As in a spectral mirror wandered there.
Melrose is the finest remaining specimen of Gothic architecture in Scotland. Some of the sculptured flowers in the cloister arches are remarkably beautiful and delicate, and the two windows – the south and east oriels – are of a lightness and grace of execution really surprising.
