There’s so much to be afraid of.
BARRY LOPEZFor so many centuries, the exchange of gifts has held us together. It has made it possible to bridge the abyss where language struggles.
More Barry Lopez Quotes
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You can’t learn anything from saguaro cactus, from ocotillo. They are just passing through; their roots, their much heralded dormancy in the dry season, these are only illusions of permanence. They know even less than you do.
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The land gets inside of us; and we must decide one way or another what this means, what we will do about it.
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People think that if you’ve written a book and somebody’s given you a pat on the back then, you know, it’s all – you’re all settled, you know? You’re going to be fine. I know that if I’m not confused, and really afraid, my work isn’t going to be any good.
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To put your hands in a river is to feel the chords that bind the earth together.
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If stories come to you, care for them. And learn to give them away where they are needed. Sometimes a person needs a story more than food to stay alive.
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Sometimes a person needs a story more than food to stay alive.
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If there is a stage at which an individual life becomes truly adult, it must be when one grasps the irony in its unfolding and accepts responsibility for a life lived in the midst of such paradox.
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real beauty is so deep you have to move into darkness to understand it.
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The land is like poetry: it is inexplicably coherent, it is transcendent in its meaning, and it has the power to elevate a consideration of human life.
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My faith is in my colleagues. And when I meet other writers, journalists, who’ve been doing this for a long time, trying to make us aware of what it is that we’re living in, I put my faith in those people.
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One must live in the middle of contradiction, because if all contradiction were eliminated at once life would collapse.
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The interior landscape responds to the character and subtlety of the exterior landscape; the shape of the individual mind is affected by the land as it is by genes.
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It is the imagination that gives shape to the universe.
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The writer works on the inside and the critic works on the outside. I don’t know what it looks like on the outside, sometimes. It’s not that I’m not interested-it’s not where I live. I live inside the story.
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The attempt to close the gap between what is known and what IS, is the temptation behind the apple in Genesis.
BARRY LOPEZ